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Burg, Schloss , forts German: Festung , palaces German: Schloss, Palais, Palast , country or stately homes and manors, and even follies.

From Wikipedia, the free encyclopedia. List of castles in Europe. Retrieved from " https: Lists of castles in Germany Lists of palaces. Articles containing German-language text.

Views Read Edit View history. In other projects Wikimedia Commons. This page was last edited on 1 October , at By using this site, you agree to the Terms of Use and Privacy Policy.

Castles in Baden-Württemberg Hohenzollern Castle. Castles in Bavaria Neuschwanstein Castle. Many rooms bear a border depicting the various operas written by Wagner, including a theater permanently featuring the set of one such play.

Many of the interior rooms remain undecorated, with only 14 rooms finished before Ludwig's death. A massive keep , which would have formed the highest point and central focus of the ensemble, was planned for the middle of the upper courtyard but was never built, at the decision of the King's family.

The foundation for the keep is visible in the upper courtyard. The elongate building is furnished with numerous towers, ornamental turrets, gables, balconies, pinnacles and sculptures.

Following Romanesque style, most window openings are fashioned as bi- and triforia. Before the backdrop of the Tegelberg and the Pöllat Gorge in the south and the Alpine foothills with their lakes in the north, the ensemble of individual buildings provides varying picturesque views of the palace from all directions.

It was designed as the romantic ideal of a knight's castle. Unlike "real" castles, whose building stock is in most cases the result of centuries of building activity, Neuschwanstein was planned from the inception as an intentionally asymmetric building, and erected in consecutive stages.

The palace complex is entered through the symmetrical Gatehouse flanked by two stair towers. The eastward-pointing gate building is the only structure of the palace whose wall area is fashioned in high-contrast colours; the exterior walls are cased with red bricks, the court fronts with yellow limestone.

The roof cornice is surrounded by pinnacles. The upper floor of the Gatehouse is surmounted by a crow-stepped gable and held Ludwig II's first lodging at Neuschwanstein, from which he occasionally observed the building work before the hall was completed.

The ground floors of the Gatehouse were intended to accommodate the stables. The passage through the Gatehouse, crowned with the royal Bavarian coat of arms , leads directly into the courtyard.

The courtyard has two levels, the lower one being defined to the east by the Gatehouse and to the north by the foundations of the so-called Rectangular Tower and by the gallery building.

The southern end of the courtyard is open, imparting a view of the surrounding mountain scenery. At its western end, the courtyard is delimited by a bricked embankment, whose polygonally protracting bulge marks the choir of the originally projected chapel; this three-nave church, never built, was intended to form the base of a metre ft keep , the planned centrepiece of the architectural ensemble.

A flight of steps at the side gives access to the upper level. Today, the foundation plan of the chapel-keep is marked out in the upper-courtyard pavement.

Like most of the court buildings, it mostly serves a decorative purpose as part of the ensemble. Its viewing platform provides a vast view over the Alpine foothills to the north.

The northern end of the upper courtyard is defined by the so-called Knights' House. The three-storey building is connected to the Rectangular Tower and the Gatehouse by means of a continuous gallery fashioned with a blind arcade.

From the point of view of castle romanticism the Knights' House was the abode of a stronghold's menfolk; at Neuschwanstein, estate and service rooms were envisioned here.

The Bower, which complements the Knights' House as the "ladies' house" but was never used as such, defines the south side of the courtyard.

Both structures together form the motif of the Antwerp Castle featuring in the first act of Lohengrin. Embedded in the pavement is the floor plan of the planned palace chapel.

The western end of the courtyard is delimited by the Palas hall. It constitutes the real main and residential building of the castle and contains the king's stateroom and the servants' rooms.

The Palas is a colossal five-story structure in the shape of two huge cuboids that are connected in a flat angle and covered by two adjacent high gable roofs.

The building's shape follows the course of the ridge. The western Palas front supports a two-storey balcony with view on the Alpsee , while northwards a low chair tower and the conservatory protract from the main structure.

The entire Palas is spangled with numerous decorative chimneys and ornamental turrets, the court front with colourful frescos.

The court-side gable is crowned with a copper lion, the western outward gable with the likeness of a knight.

Had it been completed, the palace would have had more than interior rooms, including premises for guests and servants, as well as for service and logistics.

Ultimately, no more than about 15 rooms and halls were finished. The king's staterooms are situated in the upper stories: The anterior structure accommodates the lodgings in the third floor, above them the Hall of the Singers.

The upper floors of the west-facing posterior structure are filled almost completely by the Throne Hall. Neuschwanstein houses numerous significant interior rooms of German historicism.

The palace was fitted with several of the latest technical innovations of the late 19th century. The kitchen equipment included a Rumford oven that turned the skewer with its heat and so automatically adjusted the turning speed.

The largest room of the palace by area is the Hall of the Singers, followed by the Throne Hall. It is designed as an amalgamation of two rooms of the Wartburg: The Hall of the Singers and the Ballroom.

It was one of the king's favorite projects for his palace. Its longer side is terminated by a gallery that is crowned by a tribune, modelled after the Wartburg.

The eastern narrow side is terminated by a stage that is structured by arcades and known as the Sängerlaube. The Hall of the Singers was never designed for court festivities of the reclusive king.

The first performance in this hall took place in A concert commemorating the 50th anniversary of Richard Wagner's death. The throne dais is surrounded by paintings of Jesus, the Twelve Apostles and six canonized kings.

The mural paintings were created by Wilhelm Hauschild. The floor mosaic was completed after the king's death. The chandelier is fashioned after a Byzantine crown.

The Throne Hall makes a sacral impression. Following the king's wish, it amalgamated the Grail Hall from Parzival with a symbol of the divine right of kings , [21] an incorporation of unrestricted sovereign power, which Ludwig as the head of a constitutional monarchy no longer held.

The union of the sacral and regal is emphasized by the portraits in the apse of six canonized kings: Apart from the large ceremonial rooms several smaller rooms were created for use by Ludwig II.

It consists of eight rooms with living space and several smaller rooms. Ludwig II did not attach importance to representative requirements of former times, in which the life of a monarch was mostly public.

The interior decoration with mural paintings, tapestry , furniture and other handicraft generally refers to the king's favorite themes: The eastward drawing room is adorned with themes from the Lohengrin legend.

Next to the drawing room is a little artificial grotto that forms the passage to the study. The unusual room, originally equipped with an artificial waterfall and a so-called rainbow machine, is connected to a little conservatory.

In the park of Linderhof Palace the king had installed a similar grotto of greater dimensions. Opposite the study follows the dining room, adorned with themes of courtly love.

Since the kitchen in Neuschwanstein is situated three stories below the dining room, it was impossible to install a wishing table dining table disappearing by means of a mechanism as at Linderhof Palace and Herrenchiemsee.

Instead, the dining room was connected with the kitchen by means of a service lift. The bedroom adjacent to the dining room and the subsequent house chapel are the only rooms of the palace that remain in neo-Gothic style.

The king's bedroom is dominated by a huge bed adorned with carvings. Fourteen carvers worked more than four years on the bed canopy with its numerous pinnacles and on the oaken panelings.

The adjacent little house chapel is consecrated to Saint Louis , after whom the owner was named. The servants' rooms in the basement of the Palas are quite scantily equipped with massive oak furniture.

Besides one table and one cabinet there are two beds of 1. Opaque glass windows separated the rooms from the corridor that connects the exterior stairs with the main stairs, so that the king could enter and leave unseen.

The servants were not allowed to use the main stairs, but were restricted to the much narrower and steeper servants' stairs.

There are also special guided tours that focus on specific topics. In the peak season from June until August, Neuschwanstein has as many as visitors per day, and guests without advance reservation may have to wait several hours.

Ticket sales are processed exclusively via the ticket centre in Hohenschwangau. Neuschwanstein is a global symbol of the era of Romanticism. It served as the inspiration for Disneyland 's Sleeping Beauty Castle and later, similar structures [59] [60].

A Gabriel Knight Mystery In , it was a finalist in the widely publicized on-line selection of the New Seven Wonders of the World. In , a plan was discussed to make it a transnational candidate jointly with Ludwig's Linderhof and Herrenchiemsee palaces and two similar palaces in Romania: A meteorite that reached Earth spectacularly on April 6, , at the Austrian border near Hohenschwangau was named Neuschwanstein after the palace.

Three fragments were found: From Wikipedia, the free encyclopedia. Marienbrücke is across the Pöllat directly behind and directly visible from Neuschwanstein Castle.

Burg Schwanstein literally translates as Swanstone Castle. Burg Vorderhohenschwangau and Hinterhohenschwangau Castle German: Burg Hinterhohenschwangau were collectively referred to as Hohenschwangau Castle German: Confusingly, the neo-Gothic palace built by Ludwig's father is known in English under the same name; in German, it is called Hohenschwangau Palace German: An approximate literal translation of Hohenschwangau is High Swan District, but Gau refers to a large unforested area.

The prefixes Vorder- and Hinter- identify "front" and "back" of the ensemble. The two had a strained relationship, at least in part because Marie disapproved of Wagner.

In return, Ludwig received secret payments out of Bismarck's secret account, the Welfenfonds. Ludwig II of Bavaria Ilustrated ed. Bayern " in German.

Retrieved 23 September Ludwig II King of Bavaria. Interior and modern technology". Archived from the original on Royal College of Art.

Ammon, Thomas , Ludwig II. Bayerisches Staatsministerium der Finanzen. Schloss Neuschwanstein ist heute eine weltweite Premiummarke" [Pschierer:

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Castle Deutschland Video

NEUSCHWANSTEIN CASTLE- Germany Deutschland SCHLOSS Neuschwanstein

List of castles in Europe. Retrieved from " https: Lists of castles in Germany Lists of palaces. Articles containing German-language text. Views Read Edit View history.

In other projects Wikimedia Commons. This page was last edited on 1 October , at By using this site, you agree to the Terms of Use and Privacy Policy.

Castles in Baden-Württemberg Hohenzollern Castle. Castles in Bavaria Neuschwanstein Castle. Castles in Berlin Charlottenburg Palace.

Castles in Brandenburg Babelsberg Palace. Castles in Bremen Blomendal Castle. Castles in Hamburg Bergedorf Castle. On June 13, both died under mysterious circumstances in the shallow shore water of Lake Starnberg near Berg Castle.

At the time of Ludwig's death the palace was far from complete. He slept only 11 nights in the castle.

The external structures of the Gatehouse and the Palas were mostly finished but the Rectangular Tower was still scaffolded. Work on the Bower had not started, but was completed in a simplified form by without the planned figures of the female saints.

The Knights' House was also simplified. In Ludwig's plans the columns in the Knights' House gallery were held as tree trunks and the capitals as the corresponding crowns.

Only the foundations existed for the core piece of the palace complex: This was not realized, [19] and a connection wing between the Gatehouse and the Bower saw the same fate.

The interior of the royal living space in the palace was mostly completed in ; the lobbies and corridors were painted in a simpler style by A Bride Chamber in the Bower after a location in Lohengrin , [25] guest rooms in the first and second floor of the Palas and a great banquet hall were further abandoned projects.

Neuschwanstein was still incomplete when Ludwig II died in The king never intended to make the palace accessible to the public.

The administrators of Ludwig's estate managed to balance the construction debts by To guarantee a smooth course of visits, some rooms and the court buildings were finished first.

Initially the visitors were allowed to move freely in the palace, causing the furniture to wear quickly. When Bavaria became a republic in , the government socialized the civil list.

The resulting dispute with the House of Wittelsbach led to a split in Ludwig's palaces including Neuschwanstein fell to the state and are now managed by the Bavarian Palace Department , a division of the Bavarian finance ministry.

Nearby Hohenschwangau Castle fell to the Wittelsbacher Ausgleichsfonds , whose revenues go to the House of Wittelsbach. Due to its secluded location, the palace survived the destruction of two World Wars.

Until , it served as a depot for Nazi plunder that was taken from France by the Reichsleiter Rosenberg Institute for the Occupied Territories Einsatzstab Reichsleiter Rosenberg für die besetzten Gebiete , a suborganization of the Nazi Party.

After World War II 39 photo albums were found in the palace documenting the scale of the art seizures. The albums are now stored in the United States National Archives.

In April , the SS considered blowing up the palace to prevent the building itself and the artwork it contained from falling to the enemy. The Nazi Reichsbank deposited large amounts of gold from the Third Reich 's reserves in the palace during the last months of the war.

However, just before the German surrender in May , the gold was removed and has never been recovered. The effect of the Neuschwanstein ensemble is highly stylistic, both externally and internally.

The king's influence is apparent throughout, and he took a keen personal interest in the design and decoration. An example can be seen in his comments, or commands, regarding a mural depicting Lohengrin in the Palas; "His Majesty wishes that The interior and especially the throne room Byzantine-Arab construction resumes to the chapels and churches of the royal Sicilian Norman-Swabian period in Palermo related to the kings of Germany House of Hohenstaufen.

Throughout, the design pays homage to the German legends of Lohengrin, the Swan Knight. Hohenschwangau, where Ludwig spent much of his youth, had decorations of these sagas.

These themes were taken up in the operas of Richard Wagner. Many rooms bear a border depicting the various operas written by Wagner, including a theater permanently featuring the set of one such play.

Many of the interior rooms remain undecorated, with only 14 rooms finished before Ludwig's death. A massive keep , which would have formed the highest point and central focus of the ensemble, was planned for the middle of the upper courtyard but was never built, at the decision of the King's family.

The foundation for the keep is visible in the upper courtyard. The elongate building is furnished with numerous towers, ornamental turrets, gables, balconies, pinnacles and sculptures.

Following Romanesque style, most window openings are fashioned as bi- and triforia. Before the backdrop of the Tegelberg and the Pöllat Gorge in the south and the Alpine foothills with their lakes in the north, the ensemble of individual buildings provides varying picturesque views of the palace from all directions.

It was designed as the romantic ideal of a knight's castle. Unlike "real" castles, whose building stock is in most cases the result of centuries of building activity, Neuschwanstein was planned from the inception as an intentionally asymmetric building, and erected in consecutive stages.

The palace complex is entered through the symmetrical Gatehouse flanked by two stair towers. The eastward-pointing gate building is the only structure of the palace whose wall area is fashioned in high-contrast colours; the exterior walls are cased with red bricks, the court fronts with yellow limestone.

The roof cornice is surrounded by pinnacles. The upper floor of the Gatehouse is surmounted by a crow-stepped gable and held Ludwig II's first lodging at Neuschwanstein, from which he occasionally observed the building work before the hall was completed.

The ground floors of the Gatehouse were intended to accommodate the stables. The passage through the Gatehouse, crowned with the royal Bavarian coat of arms , leads directly into the courtyard.

The courtyard has two levels, the lower one being defined to the east by the Gatehouse and to the north by the foundations of the so-called Rectangular Tower and by the gallery building.

The southern end of the courtyard is open, imparting a view of the surrounding mountain scenery. At its western end, the courtyard is delimited by a bricked embankment, whose polygonally protracting bulge marks the choir of the originally projected chapel; this three-nave church, never built, was intended to form the base of a metre ft keep , the planned centrepiece of the architectural ensemble.

A flight of steps at the side gives access to the upper level. Today, the foundation plan of the chapel-keep is marked out in the upper-courtyard pavement.

Like most of the court buildings, it mostly serves a decorative purpose as part of the ensemble. Its viewing platform provides a vast view over the Alpine foothills to the north.

The northern end of the upper courtyard is defined by the so-called Knights' House. The three-storey building is connected to the Rectangular Tower and the Gatehouse by means of a continuous gallery fashioned with a blind arcade.

From the point of view of castle romanticism the Knights' House was the abode of a stronghold's menfolk; at Neuschwanstein, estate and service rooms were envisioned here.

The Bower, which complements the Knights' House as the "ladies' house" but was never used as such, defines the south side of the courtyard.

Both structures together form the motif of the Antwerp Castle featuring in the first act of Lohengrin.

Embedded in the pavement is the floor plan of the planned palace chapel. The western end of the courtyard is delimited by the Palas hall.

It constitutes the real main and residential building of the castle and contains the king's stateroom and the servants' rooms. The Palas is a colossal five-story structure in the shape of two huge cuboids that are connected in a flat angle and covered by two adjacent high gable roofs.

The building's shape follows the course of the ridge. The western Palas front supports a two-storey balcony with view on the Alpsee , while northwards a low chair tower and the conservatory protract from the main structure.

The entire Palas is spangled with numerous decorative chimneys and ornamental turrets, the court front with colourful frescos. The court-side gable is crowned with a copper lion, the western outward gable with the likeness of a knight.

Had it been completed, the palace would have had more than interior rooms, including premises for guests and servants, as well as for service and logistics.

Ultimately, no more than about 15 rooms and halls were finished. The king's staterooms are situated in the upper stories: The anterior structure accommodates the lodgings in the third floor, above them the Hall of the Singers.

The upper floors of the west-facing posterior structure are filled almost completely by the Throne Hall. Neuschwanstein houses numerous significant interior rooms of German historicism.

The palace was fitted with several of the latest technical innovations of the late 19th century. The kitchen equipment included a Rumford oven that turned the skewer with its heat and so automatically adjusted the turning speed.

The largest room of the palace by area is the Hall of the Singers, followed by the Throne Hall. It is designed as an amalgamation of two rooms of the Wartburg: The Hall of the Singers and the Ballroom.

It was one of the king's favorite projects for his palace. Its longer side is terminated by a gallery that is crowned by a tribune, modelled after the Wartburg.

The eastern narrow side is terminated by a stage that is structured by arcades and known as the Sängerlaube.

The Hall of the Singers was never designed for court festivities of the reclusive king. The first performance in this hall took place in A concert commemorating the 50th anniversary of Richard Wagner's death.

The throne dais is surrounded by paintings of Jesus, the Twelve Apostles and six canonized kings. The mural paintings were created by Wilhelm Hauschild.

The floor mosaic was completed after the king's death. The chandelier is fashioned after a Byzantine crown. The Throne Hall makes a sacral impression.

Following the king's wish, it amalgamated the Grail Hall from Parzival with a symbol of the divine right of kings , [21] an incorporation of unrestricted sovereign power, which Ludwig as the head of a constitutional monarchy no longer held.

The union of the sacral and regal is emphasized by the portraits in the apse of six canonized kings: Apart from the large ceremonial rooms several smaller rooms were created for use by Ludwig II.

It consists of eight rooms with living space and several smaller rooms. Ludwig II did not attach importance to representative requirements of former times, in which the life of a monarch was mostly public.

The interior decoration with mural paintings, tapestry , furniture and other handicraft generally refers to the king's favorite themes: The eastward drawing room is adorned with themes from the Lohengrin legend.

Next to the drawing room is a little artificial grotto that forms the passage to the study. The unusual room, originally equipped with an artificial waterfall and a so-called rainbow machine, is connected to a little conservatory.

In the park of Linderhof Palace the king had installed a similar grotto of greater dimensions. Opposite the study follows the dining room, adorned with themes of courtly love.

Since the kitchen in Neuschwanstein is situated three stories below the dining room, it was impossible to install a wishing table dining table disappearing by means of a mechanism as at Linderhof Palace and Herrenchiemsee.

Instead, the dining room was connected with the kitchen by means of a service lift. The bedroom adjacent to the dining room and the subsequent house chapel are the only rooms of the palace that remain in neo-Gothic style.

The king's bedroom is dominated by a huge bed adorned with carvings. Fourteen carvers worked more than four years on the bed canopy with its numerous pinnacles and on the oaken panelings.

The adjacent little house chapel is consecrated to Saint Louis , after whom the owner was named.

Castle deutschland -

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